Showing posts with label 80s movies. Show all posts
Showing posts with label 80s movies. Show all posts

Thursday, February 9, 2012

Rhinestone (1984)

Until a time-traveler approaches me at age 13 and teaches me the value of money, I'm going to continue revisiting a period when I must've taken my allowance and walked straight into the local theater without even looking at the marquee.

There's no telling what I was thinking here.

But at least, unlike some people, I don't have to look in the mirror and see a guy who turned down both Beverly Hills Cop and Romancing The Stone to make Rhinestone (1984).








Actually, I'm going to give myself a bit of a break on this one. Because below is exactly how I remember the trailer. Given this somewhat amusing premise, and the likability of both Sylvester Stallone and Dolly Parton, I can see why I would've been inclined to check it out.



And we all might need to give Mr. Stallone a break. Keep in mind that in the couple years prior to making this movie, he had taken considerable pummeling to the head in Rocky III, undergone physically grueling work with First Blood, and endured a merciless critical beating for directing Staying Alive.

There's no doubt this movie-making stuff can take its toll.

So out of sheer curiosity, for the sake of this post, and because I prepay on my Netflix subscription, I recently watched Rhinestone again. To my surprise, or through divine intervention, I couldn't remember much about it. It's possible that I had been goofing around with friends during the first viewing, or had made repeated visits to the concession stand with that money I didn't know how to manage.

For sure, the movie's suggestive banter had gone over my head. I had completely blocked out the romantic involvement between Sylvester Stallone and Dolly Parton—a scenario that seems as unlikely as, well, Sylvester Stallone dating Dolly Parton.

I also don't remember walking up the aisle as the credits rolled with an unwavering realization that Dolly had failed in her attempt to make Stallone a country singer. Because she failed alright. Maybe they should've at the least had his brother Frank dub the vocals.

So ... worth revisiting? Good gosh, no. And if you're even remotely tempted, please continue reading.

WARNING:

DO NOT be lured into watching Rhinestone by the fact that director Bob Clark had just come off of filming the delightful A Christmas Story.

Even though this movie was inspired by the song "Rhinestone Cowboy," that song was a hit, this movie was not.

If you watch the opening titles and think returning to the New York City of the 1980s might be fun (the place has definitely cleaned up) save your nostalgic trip for Splash.

You just gotta not watch this, friends.

Tuesday, September 21, 2010

D.C. Cab (1983) - (Get ready to pity a fool.)




What was the first R-rated movie you saw at the theater? 

I'm sad to admit that mine was about "a hapless group of cabbies," starring Mr. T, Adam Baldwin and Oscar nominee Gary Busey.


Yes, Gary Busey has been nominated for an Oscar. If that doesn't make you want to invest in head shots and acting lessons, then just keep reading the Internet.

I wonder if Mr. T. would be appalled today, knowing that a film he was in has this distinction in my life?

Funny, I don't remember anything about this movie. I was going to watch it again, but Netflix repeatedly kicked it out of the queue, insisting I "try reading a book."

Why did I want to see D.C. Cab? It had to have been for the freedom of doing so. Most of my friends had been watching R-rated fare on HBO for 14 hours a day since 1979, previewing the sex and violence for their parents.

My folks, on the other hand, had to be begged into the notion. And this is the one they caved on.

A good policy from The Mission Twins Theater:  If you were underage, you had to bring a note from your parents to get in. My note said:

"Please admit our son, Tim, to see the Mr. T. picture. If he wants to waste the money he earned mowing lawns in 104-degree heat so he can hear foul language and watch people crash into things, then that's his business."

Again, I'll bet the infinitely better The Right Stuff was playing next door, and I was too busy wondering if the giant Mr. T. depicted on the poster could beat Mothra.


That poster once again.
It's a nice illustration, by the way. Proof that even the great artist Drew Struzan sometimes just took a paycheck.

I blame Struzan for me wanting to see it. Something must've subconsciously made me think it would be a comedy of epic proportions, worthy of the man's talents who illustrated posters for George Lucas and Steven Spielberg.

Sadly, I'm now thinking about mowing lawns for money so I can buy this sweet D.C. Cab poster.

Tuesday, June 29, 2010

Back To The Future, according to its taglines

There are pictures of me from high school where I’m obviously going for a Marty McFly look. Which is why I’m certain 70% of plutonium is used by people attempting to go back in time to slap themselves. 


Back To The Future has its 25th anniversary on July 3. The year 1985 plays such a big role in all three films, it’s hard to forget it. I had to look up the date, though. 
And that’s where I discovered that the movie sure had a lot of taglines:

He's the only kid ever to get into trouble before he was born. [UK]

17 year old Marty McFly got home early 
last night. 30 years early.

1.21 gigawatts of fun!*

He was never in time for his classes... 
He wasn't in time for his dinner... 
Then one day... he wasn't in his time at all.

Marty McFly’s open. To a world of change.*

For everyone who’s been itching for more from the star of Poison Ivy!*

His Family Ties have just come undone.*


Marty McFly just broke the time barrier. He's only got one week to get it fixed.

Go back in time before you knew Crispin Glover was such a weirdo. (Re-release)*


What do you bet Eric Stoltz wishes he had a time machine about now?*

*Made-up. I'd love to hear your versions. (Somebody's gotta make this funny.)

Saturday, May 15, 2010

On The Right Track (1981) - unless we're talkin' 'bout how we're spending our entertainment money


One day I will have to admit that I saw this movie twice in theaters. I hope it's not via a sophisticated system of interlinked computer networks using the same protocol to serve billions of users worldwide.

The first time I saw it, I don't remember how I got there. As a kid, these decisions are frequently made for you. Your mom wants to go to the mall. You don't want to go. She calls you sweetly from the other room, and you wake up in a theater next to an usher holding an ice pack on your head.

Sometimes Mom has to get stuff done. She figures it's safe to leave the kids at the cineplex as long as they're with their siblings and the movie features one of those squeaky-clean kids from Diff'rent Strokes.

I take full responsibility for seeing this the second time.

Between viewings A and B, we'd moved to our small Texas town. The lure of hanging out at the theater on a Friday night and making multiple trips to the snack bar must've been substantial.

In this film, Gary Coleman lives in a locker at the train station and picks winning horses for people as he reads the newspaper while shining their shoes. I think Mr. Roper tries to stop him or something.



Man, I liked Twizzlers. They were particularly fun to bite the ends off of and use as a straw.

Friday, April 9, 2010

That 1982 Swamp Thing movie

     What this movie should've been:




And by "should've been," I mean "something even slightly invoking the spirit of the Bernie Wrightson-drawn stories from the 1970s comic."

It wasn't. It was this:



I don't know that it has held up well.

I remember walking in the front door after seeing it and telling my folks everything bad about the movie—in front of the guests they had over for dinner. The look on their friends' faces was like, "Nice parenting."

In truth, I wasn't a huge fan of the Swamp Thing character in those days. (He's since grown on me.) But it was a comic book movie, and I was 11.

I discovered Swamp Thing on Nickelodeon's 'Video Comics' in the early, early days of Cable TV. Nobody would remember this. It was a half-hour show that opened with Wagner's "Ride of the Valkyries," and featured kids on their bikes, pedaling to the drugstore to check out the comic rack. ("Hey, kids. Comics!") 

Each episode was basically a camera moving from panel to panel along the inside pages of a comic book, featuring voice-overs and sound effects. Low-tech, but it worked. The ones I remember were Swamp Thing, Green Lantern, Adam Strange, Mystery In Space, and Sugar and Spike by artist/writer Sheldon Mayer. His stuff, often compared to Charles Schulz, is some of the best comic book work ever produced. I don't know how it's been so overlooked.

But back to the swamp. Once again, THIS looks kind of interesting:



But instead, we were given an average-size guy wearing a rubber suit.



Oh, and some fanboats. Did you see the fanboats? This one is considered a cult favorite, but I started to watch it again recently and couldn't get through it. Instead, I broke out the Berni Wrightson artwork and hit PLAY on "Ride of the Valkyries."

Saturday, June 7, 2008

Raiders of the Lost Ark (1981)

A preliminary post you might enjoy, more in essay form. Warning: Long. I won't do this to you again.


I saw Indiana Jones and the Kingdom of the Crystal Skull.

Spur of the moment. I looked online for the showtimes, saw one was starting in 35 minutes, and found myself saying bye to my wife while rationalizing to my daughter that I’d be previewing it for her. I mean, she’s 8 … and it’s PG-13. Thanks for all the hype, Nickelodeon.

I then asked her to downplay my whereabouts to her 4-year-old brother, as I cautiously glanced toward his room, hoping he was still asleep. She nodded quickly, indicating that she both understood and accepted her duties as a member of our family’s Meltdown Prevention Force. I mean, he’s 4 … and it’s PG-13. Thanks for all the hype, LEGO.

Jerry Seinfeld once said that one of his favorite feelings is that of being on the way to see a movie. I have to agree. That’s probably when I’ll get my next speeding ticket. (“You know, officer, Jerry Seinfeld once said …”.)

Through the theater door and past the ticket-taker, I proceeded to enter the auditorium. As I reached for the door, I noticed a long line waiting to get in, and suddenly got that “First-Class Heel” feeling that I was cutting in front of 800 people.

“Are you waiting for this theater?” I asked a woman, who looked as if I might pull a gun. “No … this one,” she gestured behind her.

Relieved, I went inside.

As I rounded the corner up the ramp, I stepped into a near-capacity crowd. One that had obviously waited in a horrible line like I’d just seen. Suckers.

I walked up the steps and began searching for a seat, finding one about three-fourths of the way up, three seats into the center section. Not bad.

“Anyone sitting here?” I asked a 40-something blonde lady, seated next to another woman. “Just you,” she replied in a British accent, clearly trying to pick me up.

I took a seat and inched slightly away from younger Camilla Parker Bowles.

Sitting there anxiously as the previews were about to start, I wondered what it would’ve been like as a 10-year-old to look ahead to the year 2008, and see myself at age 37 about to watch a sequel to Raiders of the Lost Ark. Would my face have melted like Belloq’s at the vision of purchasing a ticket by computer?

I remember it all fairly well. The year was … 1981 …


It was a summer night and my mom, dad, brother, and sister and I had just gotten out of church. Sunday night church wasn’t a regular event (Sunday morning, sure), but we’d been that night. As we were walking out of the building, I got an indication that a decision had just been made, requiring swift action.

“What’s going on?” I asked.

My brother informed me that the movie down the street was about to start, and we were going to see if we could make it.

“What movie?”

Raiders of the Lost Ark.”

“Do we want to see this?” I asked, with a healthy dose of skepticism.
CUT from our scene at the top of the church steps to us already in line at the theater.

“Yeah,” he countered convincingly. It’s got Han Solo from Star Wars in it. It’s going to be good!”

“Oh.”

As I studied the poster, I had a sense that I’d seen something about Raiders, but that it hadn’t grabbed my attention. It looked kind of Western-y. Lots of sand. Historical-looking. Your basic “brown” movie. Not my favorite at the time.

But with this new information from my brother, and seeing the printed words “from the creators of JAWS and STAR WARS” … things were looking up.

Ahead of us in line, my parents were thrusting money into the hands of Don, the theater owner, who was fielding questions from our skeptical mother like a pro. These are the parents who’d once taken us to see The Fish That Saved Pittsburgh and then decided we were leaving 15 minutes into it. I think they were expecting more comedy and less astrology.

“Is this okay for the kids? What’s it about?”

“It’s kind of a Biblical movie,” Don assured.

That sealed the deal. And a fairly accurate description, it would turn out. Though I chalk up 40% of his response to pure business savvy.

My brother, sister and I walked on in to the right (the side where the more kid-friendly movies usually played) and my parents entered to the left, which was reserved for more adult fare—that week being The Four Seasons. Why Dad opted to see Alan Alda and Carol Burnett over Raiders is beyond me. My brother rationalizes that Mom’s whip was larger than Indiana Jones’s.

You’ve seen the movie. But here’s what’s burned into my brain: Every seat was full, and we had to sit in the very back on the right. (The theater was split in halves with a narrow aisle straight down the middle.)
It was muggy inside the theater. Humid. (As the movie would let out two hours later, it would be pouring rain.) And it was smoky. In 1981, I think they gave you a pack of Salems with your popcorn. The guy next to us fired up a lighter, and the tip of his cigarette glowed orange-hot. By the looks of him, he could’ve lit it by striking a match on his face.

This was going to be a problem. Not just for me, but for my sister, who was hyper-sensitive to cigarette smoke. I looked over at her and she had already tensed up, eyes turning red. My brother noticed, too, and in a gutsy move I still marvel at from a 12-year-old kid, calmly leaned over to the guy and asked, “Excuse me, sir, but do you mind not smoking? It bothers my sister.”

“Oh, sure,” the guy graciously complied. (Whoa.)

Moments later, the Paramount logo transformed into that actual mountain peak … and we became enthralled.

Again, you’ve seen it. But the way we saw it was special--as three kids who’d recently been transplanted to a new town, sharing in a cinema masterpiece and bonding together in the back row. Most movies we’d seen up until then had been decidedly children’s fare. That night, we had carved out another piece into the adult world. One without child actors or animated characters, in which we could ask its members to stop smoking and they would honor us with respect.

And it seems that everything about that night brought the event more alive.

The humidity of the theater made us feel the jungle heat of Peru.

The smoke made it seem like we were actual patrons of Marion’s bar, complete with a near brush with a hot poker to the face ... well, some guy’s cigarette.

And being secluded to the edge of a crowded theater made it feel as if we were among the street mob of Cairo.

“Didn’t you guys ever go to Sunday School?” Indy asked. (Hadn’t we just come from church ourselves?)

A mainstream action film with Biblical reverence was just cool. I especially appreciated how God dealt justice to the Nazis, and how Indy knew not to watch. Unlike my mom, who unfortunately got her introduction to the film at that moment, having peered into the theater while waiting out in the lobby for us.

In every way, the movie was a triumph.

Smart. Captivating. Funny. The scene where Indy shoots the swordsman generated an eruption of laughter I’ve never heard equaled from a theater audience again.

We loved Indiana Jones.

And I still do. So there was no way I’d have missed the new movie.

But it could never compare to what turned out to be … the best movie I would ever see at The Mission Theater.