Thursday, February 2, 2012

Return of the Jedi (Re-release) - Will our hero prevail?

 
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Movie and TV marathons are common these days. At a moment's notice you can pop in all the Bourne movies, or find Arrested Development Season 2 on Netflix and have yourself a happy bomb shelter weekend.
 
But there was a time when this wasn’t the case:  1985.

It was early in the year, and Return of the Jedi (1983) had been re-released in theaters. Thanks to Star Wars (1977) and The Empire Strikes Back (1980) being available on home video, I saw an opportunity to do something that nobody else I knew had done—watch all three Star Wars movies in one day.

I was 14, and this was my grand vision.

So I had my mom take me to Old West Video. It was the first video store around, and was doing such brisk business that it had already relocated to a larger space. The new spot happened to be in one of the oldest buildings in town, which, according to old photos, had started out as an opera house.

I say “according to” because I don’t trust those old photos. They overplay their hand a bit, depicting throngs of people out in the street (and all of whom, we're supposed to believe, decided to dress like the Wright brothers?)

Inside this booming establishment, I had no trouble acquiring the videos—which surprised me, given the monumental occasion at hand.

Mom drove me home.

Being the biggest Star Wars fan in the family by far, and never one to watch a movie alone, I decided to invite a friend over to share in the experience—a kid I’d like to refer to as "Germs," even though his name was Todd.  

(I always wanted a friend with a nickname. Theo on The Cosby Show had “Cockroach.” Teen Wolf had “Stiles.” Why should I miss out?)

Germs agreed to the proposal, even though I don’t think he thought it was quite the powerhouse idea that I did.

But Germs … fine, Todd … came over, and we began our matinee in state-of-the-art style for the era:  using a top-loading VCR, resting on a Zenith Space Command TV.

Read 'em and weap.

And our screening room:  my family’s enclosed, carpeted back porch. This added-on room was great in the summer, but bitterly cold in the winter, as the previous occupants hadn’t bothered with insulation.

It was the kind of home extension common at the time, featuring a ping pong table, grill, and a wet bar regularly stocked with Capri Suns and miniature bottles of Coca-Cola with twist-off sweepstakes caps that never tired of proclaiming, “You Are Not A Winner.”

Here, we readied some air-popped corn, and hit “Play.”

245 minutes of Industrial Light & Magic later, Todd and I had completed the home-based portion of the event, and prepared to head to the theater on foot.

Oddly enough, this would be the only occasion I can remember ever walking to the theater, even though, according to Mapquest, the journey was only 1.14 miles. I say “according to” because I don’t trust Mapquest, which has supremely hosed me on a number of occasions.

Along our route to see the movie, we passed a house that sat above a long drainage tunnel. This tunnel extended underneath the entire length of the sizable abode, including the backyard, front yard and driveway. Only after I had children of my own would my parents learn I had once crawled through the entire thing with two of my friends.

The sun was low in the sky, and the temperature hovered at near-perfect as we proceeded up the tree-lined brick streets.

Continuing northward, we approached a house where, as if on cue, two female classmates were stepping out the front door.

Todd approached and immediately greeted the young ladies.

“Hey, where are you going?” he asked.

“To the show,” they said.

"Return of the Jedi?” my friend eagerly inquired.

With this, the girls exchanged awkward glances.

To determine why, you’ll have to re-summon your full former junior high angst.

It was a critical age of development for us all. On our side, the opposite sex had already started to lap us in the maturity race. And if it was indeed a race, I didn't even have a pit crew.

One of the girls said, “Return of the … ? Nah, we’re going to see Gymkata!”

(“Gym-watta?”)

With this, Todd turned to me at whiplash speed. You wanna go?”

I was stunned.

“’You wanna go?’ What do you mean, ‘You wanna go!?’ Are you crazy? What about the four-and-a-half hour investment we just made? We’re on a mission here! We’re going to see ALL THREE Star Wars movies in one day! You want to ruin that with some C-level stupidly named goofus film about a martial arts gymnast that I didn’t even know existed until 6 seconds ago!?”

But this isn’t what I said. Instead I just replied with something like, “Nah. I really want to see Jedi.”

And there was a look of disappointment from my friend that he couldn’t entirely disguise. I got the feeling that he’d been developing a crush on one of the girls, possibly both.

I could understand that. But I was determined to stay the course.

And frankly, neither of the girls really did it for me.

If they had, this adventure might have ended much differently—where the decision to indulge on a nerdish quest was unexpectedly derailed by the age-old allure of the feminine form.

But it didn’t happen that way.

No, for just a little while longer, an all-too-brief season, I remained completely and unflinchingly ... a kid.

Score one for The Rebellion.

Saturday, August 13, 2011

Superman III (1983)

The most-hated poster of 1983.

Enough time has gone by to give Superman III its rightful due. Once a pariah among super hero films [and really, it had unfair competition against Superman:  The Movie (1978) and Superman II (1980)] it's no longer at the bottom of the genre.

No, that's a spot reserved for Batman & Robin (1997), Catwoman (2004) and this film's successor, Superman IV:  The Quest for Peace (1987) — which even Christopher Reeve distanced from. (Nuclear Man, anyone? I didn't think so.)

Of course Superman III is far from being anyone's desert island must, but if you're in the mood for a fun, nostalgic taste of the 80s, this fits the bill more nicely than you might expect. Plus, it features an evil Superman sitting in a bar, drunk, breaking bottles by flicking nuts at them with superhuman strength.

Uneven? For sure. It was, after all, the movie that paired The Man of Steel with Richard Pryor. Margot Kidder looks like she can't get off the set fast enough, and when you see Robert Vaughn, you can't help but think, "Hello, Obvious Last Minute Gene Hackman Replacement."

But for those who criticized director Richard Lester's campy take, don't forget that he's responsible for directing the most entertaining action sequence from any Superman film — at least up until the plane rescue sequence from Superman Returns (2006).

I'm referring to the junkyard battle of Good Superman vs. Evil Superman. As it turns out, it's a psychological battle inside the hero's head, but this somehow makes him even more heroic when it's all over.

I love this part of the movie, and occasionally put in the DVD just to find it in the chapter index. It shows that Christopher Reeve was ideal for this role, and understood the character perfectly. The man is definitely missed.

The battle begins.

Bully Superman = Comedy. "Come ON!"


Iconic Clark. An inspiration for comic artist John Byrne?



Still drunk . In agony . Ripped off at Oscar® time .
"You always wanted to fly, Kent. Now's your chance!"
Free at last.
Not so fast.

He's back.


Anyone else wonder why they went with the darker colored Evil Superman costume when designing the look for Superman Returns? It appears the next version of Superman in 2013 is following suit. Still, I'm holding out hope for that one.
 Meanwhile, give Superman III another chance. Nuclear Man is nowhere to be found.

Sunday, August 7, 2011

Greystoke: The Legend of Tarzan, Lord of the Apes (1984)

The success of Rise of the Planet of the Apes has put apes on my mind. Actually, reading Tarzan of the Apes while on vacation put apes on my mind. Then I decided to revisit an 80s movie favorite, Greystoke:  The Legend of Tarzan, Lord of the Apes, while also finally checking out the Disney version of Tarzan (1999). All told, that's a bunch of apes!

I know this introduces a lot of questions for you. So I'll try to address them.

How does Greystoke hold up since last seeing it when you were 13 years old?

Pretty well. The acting is solid. Pre-Highlander (1986) Christopher Lambert is fun. And I had forgotten how beautifully photographed it was. 

It does a nice job of adapting the first part of the book, and then takes considerable license to focus heavily on themes I imagine many readers wish Edgar Rice Burroughs would've tackled — Tarzan's birthright and struggle with his humanity. A great idea for a movie. Still, I think it might've been more interesting if Tarzan had become as fully human as he did in the book. He stays more ape-like in the film.

Man, you're sure talking about that book a lot. Isn't this supposed to be about 80s movies? 

Yes.

Is this movie fit for watching with my kids? For example, if I have a pre-teen daughter or a son who's almost 8? And what about my wife?

PG could get pretty racy back in the 80s, but this is safe. For your daughter, there are some early jungle scenes featuring the backside of a non-loinclothed Tarzan that you might feel more comfortable fast-forwarding through. And your son might get bored after watching the Disney version. Especially when the action is shifted to Europe. 

As far as your wife goes, she might wonder what this new Tarzan infatuation is all about, but then patiently sit through it hoping for some touching romance between Christopher Lambert and Andie MacDowell.

Is there any?

Not as much as I would've thought. Again, they kept him fairly ape-like, and that can only go so far.

How about some random trivia?

Okay, did you know that Andie MacDowell's voice was dubbed in post-production by Glenn Close, because Andie's southern accent wasn't considered appropriate for the character? You did? Man, don't you know that had to have hacked her off?

Did you further know that Glenn Close performed the voice of Kala, Tarzan's ape mother, in the Disney version? The lady is Tarzan-CRAZY.

Okay, you're dying to talk about the book some more. What else do you want to mention?

The book is a lot different, and by the end, features a very civilized Tarzan tracking down Jane back in the states, after meeting her in Africa. (In the movie, she's never even in Africa.) The first paragraph of the final chapter amused me:

At the sight of Jane, cries of relief and delight broke from every lip, and as Tarzan's car stopped beside the other, Professor Porter caught his daughter in his arms.

Hee hee. "Tarzan's car." I didn't know those words had ever been used together. It just struck me funny. And what a great band name. I'd go see Tarzan's Car play. Especially if they opened for Foo Fighters.

Anything else?

Yes. After Greystoke, I defy you to not want to go up to someone and do the sad "Ooo Ooo" sound, while putting their hand on top of your head to see if they're alive.